Grandville Force Majeure original art now on sale

Page 54 of Grandville Force Majeure by Bryan Talbot

Grandville Force Majeure original artwork is now available to buy.



Buy the Heart of Empire Directors Cut

This labour of love from Bryan and myself contains every single page of Heart of Empire in pencil, ink and final full colour format - as well as over 60,000 words of annotation, commentary and explanation from Bryan... - as well as the whole of the Adventures of Luther Arkwright!

Or see the Heart of Empire Directors Cut page for more details.


Join the Facebook group for Bryan Talbot fans for lots of discussions and special offers announced on Facebook first.

 

The Bryan Talbot fanpage is also on Twitter - so give us a follow and join in the conversation!



Also see the Bryan Talbot t-shirt shop! - we've got a vast array of Bryan's images on lots of different t-shirts, as well as other items like mugs and fine art prints: - but if there's anything else you'd like just let us know on Twitter or at the Facebook group.


This is the only place you can buy original Bryan Talbot artwork - except from Bryan in person at a convention.


This is the new version of the Bryan Talbot fanpage
But the whole of the original Bryan Talbot fanpage is still online


Bryan's introduction to Cancertown


For a first graphic novel from a new creative team, Cancertown is remarkable. Cy Dethan’s concept alone is brilliant. Is the protagonist, Vincent Morley, a cynical knight in tarnished armour battling unspeakable monsters in a gonzoid Chapel Perilous or a dying sad bastard besieged by visions generated by his terminal brain tumour? Vince’s chosen role, that of maintaining the equilibrium between the “real” London and its parasitic, demonic mirror image and his ability to pass between the two, by grace of his illness, sharply differentiates his story from others in the wide-boy urban sorcerer genre, notably represented by Alan Moore’s John Constantine and Mike Carey’s Felix Castor prose novels. And, though your worst nightmares are his everyday reality, Morely kicks serious arse while maintaining a self-deprecating cascade of gallows humour.

Moreover (do people still say that?) Cancertown actively embraces horror, the genre of horror fiction. It’s not trigger-shy. It doesn’t fuck around. It sets out to horrify, and it succeeds. Although Cancertown owes more to Clive Barker than Ramsey Campbell, it still, like Campbell, has its roots in H.P. Lovecraft and its evocation of genuine creepiness is undeniable. This is in no small part due to the visceral, hallucinogenic art of Stephen Downey working in tandem with the hard-bitten script, the atmospheric colours of Helene Cook and inventive lettering of Nic Wilkinson. We’re seeing here the first outing of creators who will make their mark on the future comic industry.

Cancertown will disorientate you, suck you in, chew you up and spit you out and you might well be in need of a change of underwear by the end.

Don’t say I didn’t warn you.

Bryan Talbot
Sunderland March 2009


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